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Hindu Symbolism
LORD VISHNU
The name Vishnu means he who possesses
the habit of Vyapana (to pervade). Lord Vishnu is the central and the major deity of the
holy trinity i.e. Brahma the creator, Vishnu the preserver, and Shiva the
destroyer. The two most common
representations of Vishnu show him either sleeping over the waves of the ocean
on the coils of the serpent-deity called Shesh Nag.
The other most common
one is standing on water with four hands- each holding one of his four chief
attributes. Lord Vishnu’s four main features are:- In the Upper
right hand, he holds cakra or discus shining like an infant Sun, symbol of the
mind, which represents the revolving or creative tendency. The Discus or
wheel (Charka) of Vishnu named Sudershan. It has six spokes and symbolizes
six-patella lotus. It represents the limitless controlling all the six seasons
and is the fearful weapon that cuts off the heads of all demons. In the left
upper hand, he holds the conch or lotus, symbol of the casual power of illusion,
from which the universe rises, which is the symbol of the five elements. The lotus of Vishnu
is named Padma. It is the symbol of purity and represents the unfolding of creations. It
is the truth (Sathva). The elements from, which emerge the rules of, conduct
(Dharma) and knowledge (Janna). The Conch (Shankh) named Panchjanya is
the fountain that evolves the five elements i.e., water, fire, air, earth and
sky or space. In the lower left hand, which represents the notion of individual
existence, is the mace, symbol of all knowledge. The Mace (Gada) of
Vishnu is named Kaumodaki. It represents the elemental force, form which all physical and mental
powers are derived. While Vishnu,
who has the power to spread his control over everything. From his navel a lotus-
stalk grows up, and on the top of the stalk, in the lotus flower, Brahma is
born. Brahma
does prayers and worship before Vishnu. Mahavishnu gives the Brahma the boon of
creations of the subjects. Vishnu’s main attribute is Sattva (goodness-purity)
while the Bhrama’s whose main attribute is of rajas (activity-passions). From the middle
of the brows of Brahma, Shiva is born whose main attribute is Tamas (inertia
darkness). The worshippers
of Vishnu, known as Vaishavas, recognizes in him the Supreme Being, out of whom
emerges the Brahma, the active creator, Vishnu himself the preserver, and Shiva
or Rudra, the destroyer. Vishnu appeared
in the world either to correct some great evil or to effect some good on the
earth. His incarnations are nine in number or innumerable. 1. The first of these is Matsya (fish) incarnation. According to the
Hindus before the latest creation of the present universe, the four Vedas (the
holy books remained in the mouth of the Supreme-Deity) drowned in the waters.
These books were necessary to get hold of in order to instruct Brahma about the
work of creation. Vishnu appeared
in the form of the Matsya and descended into the water and brought –up the
sacred books. 2. The second is Kachyup or
Kurma (tortoise) incarnation.
In this Vishnu appears in the form of tortoise and took the newly created earth
upon his back in order to break the trembling globe to stability. The belief is
the earth is supported on the back of this tortoise. 3. The third is of the Varah
(Boar).
In periodical creation
of the earth, once the earth sunk into the deep waters. Vishnu, the great
preserver, took the form of a boar and descended into the waters and drew up the
earth with the help of his tusks. 4. The fourth incarnation is
that of Narsigh (half-lion and half-man). This special form was taken by Vishnu to kill a
demoniac ruler, named Hiranyakashyapu, who had pleased the god Brahma by doing
hard religious sacrifices. Lord Brahma gave him a boon that no animal or man
born in the natural process could kill him, nor he could killed in the day or
night, on the earth or in heavens, either by fire, by water or by any weapon.
Lord Vishnu had to assume the form of Narsingh, which was neither man nor
animal. Lord Vishnu got hold of demon-king by its teeth, put him up on his
thighs and tore him up in the middle by his claws. It was evening time- neither
day nor night. 5. The fifth incarnation is
that of Vaman (the dwarf). A demon named Bali, through his devotion and penance’s defeated Indira,
who was humbled by other gods and extended his authority over the three worlds.
All the gods appealed to Vishnu for protection of other Gods he manifests
in the form of Dwarf Avatar of Vaman for the purpose of restraining Bali. Lord
Vishnu appeared before Bali when he was doing a religious sacrifice accompanied
by other Brahmins. Bali was pleased to see the company of
holy people and in particular the dwarf young man, that he promised to give him
whatever he desired. Lord Vishnu asked only for as much land he could measure by three
steps. Bali agreed to grant the boon of three steps. Lord Vishnu who had assumed
the form of dwarf stepped over heaven in first stride and then on the earth in
his second stride. Then out of
respect to Bali’s kindness and his grandfather (Prahlad’s) Great virtues;
Vishnu stopped short and left to him Patal, the subterranean region. 6. The sixth incarnation
is that of Parsuram. Parsuram is the name of an axe-like weapon adopted by his
incarnation. This Avatar of Vishnu was for the purpose or representing the
tyranny of the power-drunk Kshatriya-caste. This sixth Avatar of Vishnu appeared
in the world before Ram, the seventh Avatar, but they are both represented to be
living at the same time. Vishnu
appeared on the earth as a descendant of great sage Bhrigoo, to avenge the
murder of his father by the king. 7. The
seventh and eight Avatars of Vishnu are those of Ram and Krishna. Ram was the son of Dashrath, king
of Ayodhya, who appeared to destroy the arch- demon Ravana. While Krishna, is
deemed a most perfect Avatar of Vishnu came to the world to kill evil doers and
to establish the rule of righteousness. 8. The ninth Avatar is that
of Budha- He came
to uplift Humanity 9. The tenth the last incarnation
of Vishnu that is yet to appear in the world at the end of the Kalyug are that of Kalki.
This Avatar said to appear as Vishnu seated on a white horse with a drawn sword
blazing like a comet. He shall come finally to destroy the wicked, to restart
the new creation and to restore the purity of conduct in people’s lives. All the above incarnations are only the earthly
manifestation of Vishnu, who himself is eternal, unchangeable and immutable. He
is blue-skinned and in all pictures, and images he is seen in rich ornaments and
regal garments. His wife is Lakshmi the goddess of wealth and fortune. His place
of abode is Vaikuntha (heaven) and his vehicle is Garuda, a giant- sized eagle
that often is shown as a winged human-shaped figure having a beak-like nose.
Lord Vishnu is the infinite ocean from which the world emerges. Hence his
symbol is water (Nara) and he himself is called “Narayan” – the one who
dwells upon the water. He is often pictured with the many-headed snake, as
mentioned above, and this denotes Anant Nag (the timeless or ageless snake).
From his navel grows the lotus out5 of which appears Brahma, the god who created
the universe. During the
churning of the ocean when all good things came out the last to appear was
Lakshmi, the goddess of wealth and beauty. Lord Vishnu took her as his wife.
This was how Lakshmi was born and became the consort of Vishnu. Sometimes this
goddess is shown as being one with Lord Vishnu, where the icons are known by
name of Lakshmi Narayan. This conjoined deity denotes that in this supreme state Vishnu, with his
consort, representing his power and energy LORD VISHNU VRAT A Vrat (fast or Vow) taken
thinking of Vishnu in mind. Worship
after bathing his image on the first day of the vow of the four days, beginning
with the second day of the Poonam of Poush month with mustard; on the next day
with gingelly seeds, on the third day with Orris root and on the fourth day with
medicinal herbs, such as Manci, Oris root, Costus, Bitumen (stone juice)
saffron, Curcuma, bulb of Kaccuri, Flower of Michelia Champaca and bulb of
Cyperus grass. After bathing the image as given above, worship him as Krishna,
on the second by the name Acyuta, and on the third day by the name of the Ananta
and on the fourth day, by the name Hrsikesa. Offering flowers at the feet on the first day of the
lord should perform the worship. On the second day on the navel. On the eyes on
the third day. On the fourth day on the head. The
moon should be worship by the names such as Sasi on the first day. Chandra on
the second day. Sasanka on the third day.
Indu on the fourth day.
As mentioned in the Agni Purana. This is the worship of Vishnu vrat should be
done by the kings, women and Devas (gods) Here's some nectar on SRimati Tulasi devi, " So from this verse we can understand how
pure if the service which Tulasi offers to SRi Krishna. So we should always
endeavour after becoming a servant of tulasi devi. Tulasi devi never goes back
to Godhead, she is always with Godhead. She is a pure devotee and thus she has
appeared on this planet to render service to Krishna by being offered in all
Temples throughout the world by being offered up to the lotus feet of Krsna." SUDARSHAN PRAYOG This energy generated by this ritual acts as an invincible shield against
plots and schemes of foes, weapons, ill gaze, unexpected losses and even
ailments. A successful accomplishment means complete transformation of one’s
personality and gaining a powerful dynamic appearance capable of subduing even
the most formidable of foes. Whether it is a lawsuit, a competition, a debate or
war of wits the Sadhak emerges victorious. The ritual can also be started on a Friday. At night after 11 p.m. have a bath. Wear white spotless clothes and
sit on a white mat facing east. Cover a wooden seat with white cloth. On
it place a Sudarshan Yantra on a mound of rice grains. On
its right hand side place a Sudarshan Tarang Gutika. Offer Vermilion, white
flowers; rice grains, incense and a ghee lamp before the Yantra. Next with a Vijay Darshini Rosary
chant 11 rounds of this Mantra
Aum Sudarshan Chakraay Mam Sarv Kaarya Vijayam Dehi Dehi Aum Hum Phat This is an eleven-day ritual during
which one should lead a celibate life. GANESHA IS THE SYMBOL OF KNOWLEDGE
He
has an elephant’s physical features, such as the head, the ears, the tusks,
and the trunk. But he also has some human physical features, such as hands and
legs. His form represents ideas that teach us about god. HEAD: To hold all the knowledge that is to be
known. He has a head as large as that of an elephant. EARS: Listening to the scriptures and other
forms of knowledge is the first step to learning. Hence the large ears like that
of an elephant. Trunk: We use the knowledge we have gained to
discriminate between right and wrong, good and bad. The elephant's trunk is used
to lift heavy objects or a fine blade of grass. Our intellect should be made so
efficient that we can solve great problems in our life and also come to
understand and know God. TUSKS: One tusk is broken and the other is
whole. This is to show us that even though we must discriminate between good and
evil, we must also outgrow pairs of opposites like heat and cold, respect and
insult, honor and dishonor. MOUSE:
THE MOUSE REPRESENTS OUR DESIRE. Even
a desire as small as a mouse can destroy us completely if it is not kept in our
control. The mouse does not eat all the food placed before the Lord without His
permission. Whenever the Lord decided to go any place to serve His devotees. He
uses the mouse as His vehicle. Likewise, we should learn to use our desires for
the benefit of others as our service to the community. GANESHA IS SOMETIMES DEPICTED WITH FOUR
HANDS With one hand he holds
a rope and pulls us towards Him. In His second hand He holds an axe which he
uses to cut off our harmful desires. In his third hand He holds a modak (sweet
rice ball) to reward us when we reach Him. With His fourth hand He blesses His
devotees. Three Representations of a Deity There
are three main symbolic representations of a deity in tantric Puja; the mantra,
the mandala and the roop. In Tantrism, the sacred syllables are identified with
these root powers. Each deity has a bija
mantra (or seed) specifically associated with her or him. This is a single
syllable thought to contain the essence of that deity. Ganesha's
seed mantra is Gum. Success can be gauged
by the coherence of the different ideas with each other and whatever else is
known about the deity. The
final symbol is the roop, or form of the deity. Thinking of a deity as a syllable or geometric pattern
is difficult, especially if one is not acquainted with the idea of symbolic
representation. Meditating on the rupa
is essentially no different to meditating on the mantra or mandala. One
allows thoughts to spontaneously enter the mind, without censoring, and follows
each imaginative wandering to its conclusion. Like the Yantra and Devanagri
characters, the rupa has specific visual components, which have specific
meanings. The
Yantra has its squares, circles, triangles and Bindu (or point), the Devanagri
characters have shapes with particular mystical and phonemic (sound)
associations, and the rupa has magical weapons and a vehicle or banner (a mouse
in the case of Ganesha). These
are not meant to be complete lists of the symbolic components - every part of
the mantra, mandala or rupa has meaning. Without this individual link, there is
no union between the self and the deity, and the experience remains purely
intellectual. The
following description of Ganesh's magical weaponry is therefore deliberately
partial. Its purpose is to allow the practitioner to gain a foothold in the
imaginative territory to be explored. The
Weapons
There
are four magic weapons in the four hands of Ganesha. As with all numbers, there
are connections and correspondences which can be made between all sets of 4
(e.g. the 4 Vedas, the 4 mobile elements (spirit, the fifth, is represented by
the immobile head), the 4 sacred meters, the four kinds of being etc.). The four
weapons carried by Ganesha can be broken down into two pairs. The
Noose and Goad These
two images are frequently found together in the rupas of many devas (gods)
and devis (goddesses). In the Adinath
tradition, it is said that all three Shaktis (will, knowledge and action) must
be present for initiation to occur. The goad is an elephant goad, used to
produce movement from inertia. Like the Self, the elephant seems too large to
control, but the goad makes this movement possible. Obviously, the elephant goad
has specific associations with the symbolism of the elephant. The word Natha
means "master", and the initiate of the Adinath tradition aims to be
an adept or master of her or himself. The
god Indra
(after whom India is named) has as his vehicle the king elephant Airavata, who
represents ultimate force. Indra's goad is therefore a symbol of his mastery of
the universe. Ganesh combines the form of human and elephant - he is his own
power. The goad can represent his ability to direct that power. The magical
power stems from the divine spark (or True Will) within the self, and that
self-knowledge is therefore part of the process of gaining magical power.
Ganesh's elephant head, human body and goad show that he exists at the point of
spontaneity (Sahaja), where Will and action coincide. The Sanskrit word Gaja
(meaning elephant) is comprised of the syllables Ga (meaning goal) and Ja (the
origin), which can be interpreted in the same way. The
noose
is thought to find a point of awareness within the self from which to observe
the inner processes (open our third eyes), even when subjected the greatest
degree of intoxication, lust or fear. It is this inner awareness that allows us
to discriminate between the real and the unreal. Ganesha's noose then is to trap illusion. The process of using
the physical world as a matrix for learning enables nathas to evolve more
quickly then those of our fellow beings who take a more cautious approach. The
noose can symbolize execution, the message in that case being quite obvious: get
on with it, because you'll be dead very soon. Vara
and Abhaya Mudra These
are respectively the mudras (or
hand-gestures) denoting the granting of boons and the dispelling of fear. These
are the gods, demons and sages. Historically they may have been different
competing pantheons of deities, and there is some historical evidence that
Ganesh began as a demon (Vighna-asura,
or Lord of Obstacles) before becoming incorporated into the Hindu pantheon as Vighneshvara
(the remover of obstacles). On
a magical level, the difference between gods and demons is not in the degree of
their power but in their attitude to humanity (sages are human or semi-human).
The sign of dispelling fear (the open-handed gesture showing no weapons. Shows
that the entity is not hostile, and the gesture of giving or granting boons
shows the promise of gifts. The Ganapti of the Ganesha Upanishad is a monad, a
single deity alone and beyond time. Fear is a product of attachment to the
world, so transcending the physical (moksha, or liberation) moves one beyond
fear. This
is why the Ganesha Upanishad quotes the Arthava Veda, "The one who moves
towards knowledge of the timeless is never afraid." The
sign of dispelling fear, like the noose and goad, shows that Ganesh is a
god of magic, who moves the adept towards knowledge of that which is beyond time
and space. The vara mudra shows that
Ganesha may grant boons to the human being. Traditionally,
the role of granting boons is the prerogative of Prajapati, the all-father or creator-god, who is identified with
Brahma, Vishnu and Siva in different myths (as well as Ganesha his Upanishad).
Boons are usually granted to those who show their devotion by performing great
feats of yoga. In reality, it is the yogic practices themselves, which
lead to Siddhi, or magical power.
Ganesha is a yogi-god, frequently depicted in yoga postures (or asana) and
described as "always situated in the muladhara", the lotus at the base of the spine where the kundalini
Shakti resides. Ganesha's boons, then, the quality of rupas, which is not
shared by mandalas or mantras. Once
having formed a coherent visual image of the deity and gained a good
understanding of his symbolism, one may enter into conversation with him, asking
him questions relating to the practice of yoga or magic. This
may be done in the form of mental puja (where the deity is visualized and the
visualization takes on a spontaneous life of its own), by invocation (where an
adept takes on the form of the god and is asked questions by another) or in the
lucid Dream State. Whatever the approach, the boon (or ability) is usually
granted by the deity only as a result of much hard work and practice. Good luck.
Three Representations of a Deity There
are three main symbolic representations of a deity in tantric Puja; the mantra,
the mandala and the roop. In Tantrism, the sacred syllables are identified with
these root powers. Each deity has a bija
mantra (or seed) specifically associated with her or him. This is a single
syllable thought to contain the essence of that deity. Ganesha's
seed mantra is Gum. Success can be gauged
by the coherence of the different ideas with each other and whatever else is
known about the deity. The
final symbol is the roop, or form of the deity. Thinking of a deity as a syllable or geometric pattern
is difficult, especially if one is not acquainted with the idea of symbolic
representation. Meditating on the rupa
is essentially no different to meditating on the mantra or mandala. One
allows thoughts to spontaneously enter the mind, without censoring, and follows
each imaginative wandering to its conclusion. Like the Yantra and Devanagri
characters, the rupa has specific visual components, which have specific
meanings. The
Yantra has its squares, circles, triangles and Bindu (or point), the Devanagri
characters have shapes with particular mystical and phonemic (sound)
associations, and the rupa has magical weapons and a vehicle or banner (a mouse
in the case of Ganesha). These
are not meant to be complete lists of the symbolic components - every part of
the mantra, mandala or rupa has meaning. Without this individual link, there is
no union between the self and the deity, and the experience remains purely
intellectual. The
following description of Ganesh's magical weaponry is therefore deliberately
partial. Its purpose is to allow the practitioner to gain a foothold in the
imaginative territory to be explored. The
Weapons
There
are four magic weapons in the four hands of Ganesha. As with all numbers, there
are connections and correspondences which can be made between all sets of 4
(e.g. the 4 Vedas, the 4 mobile elements (spirit, the fifth, is represented by
the immobile head), the 4 sacred meters, the four kinds of being etc.). The four
weapons carried by Ganesha can be broken down into two pairs. The
Noose and Goad These
two images are frequently found together in the rupas of many devas (gods)
and devis (goddesses). In the Adinath
tradition, it is said that all three Shaktis (will, knowledge and action) must
be present for initiation to occur. The goad is an elephant goad, used to
produce movement from inertia. Like the Self, the elephant seems too large to
control, but the goad makes this movement possible. Obviously, the elephant goad
has specific associations with the symbolism of the elephant. The word Natha
means "master", and the initiate of the Adinath tradition aims to be
an adept or master of her or himself. The
god Indra
(after whom India is named) has as his vehicle the king elephant Airavata, who
represents ultimate force. Indra's goad is therefore a symbol of his mastery of
the universe. Ganesh combines the form of human and elephant - he is his own
power. The goad can represent his ability to direct that power. The magical
power stems from the divine spark (or True Will) within the self, and that
self-knowledge is therefore part of the process of gaining magical power.
Ganesh's elephant head, human body and goad show that he exists at the point of
spontaneity (Sahaja), where Will and action coincide. The Sanskrit word Gaja
(meaning elephant) is comprised of the syllables Ga (meaning goal) and Ja (the
origin), which can be interpreted in the same way. The
noose
is thought to find a point of awareness within the self from which to observe
the inner processes (open our third eyes), even when subjected the greatest
degree of intoxication, lust or fear. It is this inner awareness that allows us
to discriminate between the real and the unreal. Ganesha's noose then is to trap illusion. The process of using
the physical world as a matrix for learning enables nathas to evolve more
quickly then those of our fellow beings who take a more cautious approach. The
noose can symbolize execution, the message in that case being quite obvious: get
on with it, because you'll be dead very soon. Vara
and Abhaya Mudra These
are respectively the mudras (or
hand-gestures) denoting the granting of boons and the dispelling of fear. These
are the gods, demons and sages. Historically they may have been different
competing pantheons of deities, and there is some historical evidence that
Ganesh began as a demon (Vighna-asura,
or Lord of Obstacles) before becoming incorporated into the Hindu pantheon as Vighneshvara
(the remover of obstacles). On
a magical level, the difference between gods and demons is not in the degree of
their power but in their attitude to humanity (sages are human or semi-human).
The sign of dispelling fear (the open-handed gesture showing no weapons. Shows
that the entity is not hostile, and the gesture of giving or granting boons
shows the promise of gifts. The Ganapti of the Ganesha Upanishad is a monad, a
single deity alone and beyond time. Fear is a product of attachment to the
world, so transcending the physical (moksha, or liberation) moves one beyond
fear. This
is why the Ganesha Upanishad quotes the Arthava Veda, "The one who moves
towards knowledge of the timeless is never afraid." The
sign of dispelling fear, like the noose and goad, shows that Ganesh is a
god of magic, who moves the adept towards knowledge of that which is beyond time
and space. The vara mudra shows that
Ganesha may grant boons to the human being. Traditionally,
the role of granting boons is the prerogative of Prajapati, the all-father or creator-god, who is identified with
Brahma, Vishnu and Siva in different myths (as well as Ganesha his Upanishad).
Boons are usually granted to those who show their devotion by performing great
feats of yoga. In reality, it is the yogic practices themselves, which
lead to Siddhi, or magical power.
Ganesha is a yogi-god, frequently depicted in yoga postures (or asana) and
described as "always situated in the muladhara", the lotus at the base of the spine where the kundalini
Shakti resides. Ganesha's boons, then, the quality of rupas, which is not
shared by mandalas or mantras. Once
having formed a coherent visual image of the deity and gained a good
understanding of his symbolism, one may enter into conversation with him, asking
him questions relating to the practice of yoga or magic. This
may be done in the form of mental puja (where the deity is visualized and the
visualization takes on a spontaneous life of its own), by invocation (where an
adept takes on the form of the god and is asked questions by another) or in the
lucid Dream State. Whatever the approach, the boon (or ability) is usually
granted by the deity only as a result of much hard work and practice. Good luck.
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